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| rough sketch/color rendering Presidio Officers' Club |
Saturday, October 23, 2010
visual note taking D
Tuesday, October 5, 2010
visual note taking C
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| volumetric solution above, flat diagram below |
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| illustrations ©JFMahoney, all rights reserved |
Tuesday, September 28, 2010
freehand perspective #2
In class, we reviewed a procedure for detecting the perspective orientation between a subject space and a camera. Given appropriate visual cues, a scale can be assigned with a vertical measuring line (VML). Thus, a photograph serves as a mannequin for spatial design ideas. Dress your photo with prime focus on window openings. In two separate sketches, show the same mannequin dressed in two ideas that you generated during visual note taking B.
Tuesday, September 21, 2010
visual note taking B
3 variations on a single application of a window to a kitchen; watercolor
All VNT must include thumbnail plan & section/elevation as well as a site sketch.
freehand perspective #1
ideation sketches for menu area at a juice bar
Monday, September 13, 2010
visual note taking A
Observe three or more situations described as point-of-sale (POS), where a retail transaction is made. Take note: If and how is the transaction space illuminated? What type and size of surface is provided for the transaction--if any? What form does the digital component of the transaction take? (ie., paper receipt, on-line documentation, bank card access, none) Has the overall ambience around the transaction been addressed? All VNT must include a thumbnail floor plan.
Blind contour: menu board/bar/counter
Blind contour: menu board/bar/counter
Thursday, May 27, 2010
get another perspective
The above OFS clip (and fantastic soundtrack) grants thinking space to create one's own relationship with the visual data presented. A morning TV news show packaged video footage described as "another perspective" on the Gulf oil spill. Amidst anxious narrative and jumpy editing in the news clip, the broad associative power of visual content is diminished. Underwater footage is always slightly uncomfortable, since the familiar figure/ground orientation is denied its usual ground. The landlubber's eye seeks horizontal planes: an undulating sandy ocean bottom, the occasional sparkling sunlit surface above. Apart from reminding me of Turner's atmospheres, the OFS clip is uncomfortable on all accounts.
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