In addition to the mysteries made visible in this Vince Collins spot, another early influence for me was exploded illustrations of mechanical parts, cars and engines. My dad worked for GM and car imagery was never far from reach. In the early part of my career, I had the pleasure losing myself in the making of these, both ruled and freehand. The best were for Austrian architect Hanns Kainz'projects.
At the AIA convention this spring, I perused a doorstop-weight tome called Architectural Geometry from Bentley Institute. It's a geeky delight, full of complex shapes reduced to their pure geometry and made 2D visible. Thanks, digital age! That really scratches an itch.
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