Thursday, January 15, 2009

view selection

Information one gets about the context of an image's presentation will inform view selection. Choosing good views is half the job. Which view best invokes what my clients wish to project? From what eye level is the project experienced by its user? What season or time of day will create a positive attachment to the audience? In what light does the design look best? Is a 3D model available for seeing the overall project, or is an aerial necessary? I try not to lie about the volumes. It's not necessary to make a ceiling taller, a room wider, omit columns or add landscaping that is too many years forward. The way linear perspective works, a given view implicates the viewer in a scenario and positions him or her exactly where the client wants. If one has to make multiple views to see the "whole" space, all the better. In that case, the viewer gets the brain-candy task of knitting sequential views with his or her own imagination. Choosing views is very powerful.

No comments:

Post a Comment